, AJ Sciutto. Magnopus is a pioneering studio that worked on the Disney+ AR short Remembering as well as specialising in virtual production using. Fresh from the success of creating four virtual sets for Amazon's hit Fallout TV series, I ask AJ what skills do artists need to have, or develop, to succeed in a real time filmmaking workflow?
"That's a great question," he laughs,"and it's a question we've been rubbing beards on for the last couple of years… how to properly crew a virtual art department?"Magnopus handled the virtual production on Remembering for DIsney+ and created a companion AR experience to extend the world beyond the screen.He explains how VFX artists and game artists come to real time creativity in two differing ways.
"What we found is that the visual effects artists tend to have a more trained eye on how to get to a photo realism standpoint with art, whereas the game design folks come in with these tips and tricks for how to optimise art that a visual effects artist has never thought of before," says AJ.
He adds:"So when we found is that in building these crews, we tend to put our supervisors in lead people from an aesthetic point of view that have traditional visual effects backgrounds, and then we filled with majority of the team with game designers who know how to build high quality real time and optimised assets, and who have all the tips and tricks for hiding normal data into colour channels and doing optimisation tweaks for making things run at incredible frame rates.
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